October, New Titles, 'The films of Pierre Etaix'

Long overdue, the films of French comedian, Pierre Etaix, have finally come to DVD after a long legal wrangle over the rights to the films themselves was won by Etaix and his supporters.

Pierre Etaix built his career principally around comedy. In 1954, he moved from his native Roanne to Paris where he would make a living as an illustrator and eventually as a solo performer in cabaret and variety venues. He would also work as a circus clown in partnership with Nino Fabbri.

In 1954, he met Jacques Tati for whom he worked for 4 years as a draughtsman and gagman in the preparation ansd shooting of Tati's film, My Uncle, and as an assistant-director during the shooting, also playing a small, uncredited role in that film. In 1961, he performed his own “number” in Tati's music-hall production. Jour de Fête à I'Olympia.

In 1961, he became a filmmaker, realising two shorts - Rupture (FIPRESCI prize in Mannheim 1961) and Happy Birthday (Oscar in Hollywood 1962) - both co-written with Jean-Claude Carrière. Between 1962 and 1970, he realised five features: The Suitor (Prix LOUIS DELLUC 1963; the Comic Film Prize of the Moscow International Film Festival, 1963), Yoyo (Grand Prize - OCIC International Festival in Venice 1965), So Long as You're Healthy (Silver Siren at the International Festival of Sorrento), The Great Love (Grand Prize of French Cinema 1969) and The Land of Milk & Honey(Pays de cocagne, 1970).

The box set includes all five features, which are available separately at the store as individual feature disks.

October, New Titles, 'Jane Eyre', 'Bridesmaids', 'Win Win'


A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret. The latest adaptation of Charlotte Bronte's great novel about sexual harassment in the workplace. Jane's growing love for her employer, Mr Rochester, leads to some touching, but his inappropriate behaviour is punished with loss of sight. This like the last adaptation of the novel (BBC, 2006) was also filmed at Haddon Hall in Derbyshire, but for all the gloom and mood lacks the earlier film's sexual tension.

FORKS OVER KNIVES (2010)

A new documentary examines the profound claim that most, if not all of the so-called "diseases of affluence" that afflict us can be controlled, or even reversed, by rejecting our present menu of animal-based and processed foods.

OTHER NEW TITLES

THOR (2011)
SHADOWS OF PROGRESS (1951-1977)
THOR (2011) BLU-RAY
BRIDESMAIDS (2011)
BRIDESMAIDS (2011) BLU-RAY
JANE EYRE (2011) BLU-RAY
SCREAM 4 (2011)
LAST NIGHT (2010)
LION KING, THE (1994)
LION KING, THE (1994) BLU-RAY
WATER FOR ELEPHANTS (2011)
WATER FOR ELEPHANTS (2011) BLU-RAY
AMERICAN BREAKDOWN (2008)
WIN WIN (2011)
FORKS OVER KNIVES (2011)
EVERYTHING MUST GO (2010)
CONSPIRATOR, THE (2010)
POETRY (2010)

September, New titles, 'Snowtown', 'Insidious', 'Hesher'


Australia's worst serial killer, John Bunting, and the accomplices who fell under his spell are profiled in "Snowtown." An extremely bleak psychological horror-thriller with arty trimmings, the movie compels for a couple of reels before muddled plotting sets in and audiences are left with no one to connect with when the central character transforms from innocent bystander to participant in Bunting's crimes. Debut helmer Justin Kurzel guides a predominantly non-professional cast with distinction, but this descent into unremittingly depressing territory will require careful marketing and positive critical notices to attract viewers. (Variety)

INSIDIOUS
From the co-creators of ‘Saw’ (James Wan and Leigh Whannell, here director and writer) and the director of ‘Paranormal Activity’ (Oren Peli, producing) comes a project featuring nothing that was original, distinctive or scary about either earlier film. It starts like a haunted-house movie: spooked by something nasty in the loft of his parents’ new house, Dalton (Ty Simpkins) lapses into a coma. His mother, Renai (Rose Byrne), hires loopy medium Elise (Lin Shaye), who declares: ‘Your son is not in a coma. It’s not the house that’s haunted, it’s him.’ Renai’s sceptical husband (Patrick Wilson) is equally unimpressed when Elise calls in a pair of bickering, nerdy ghostbusters (Angus Sampson and Whannell), who arrive with tons of Heath Robinson gear. Suddenly, we swerve into a preposterous supernatural mystery – seemingly grabbed from the waste baskets of M Night Shyamalan and Sam Raimi – as Dalton is besieged by evil spirits and the medium spouts half-baked guff about astral planes. Not so much insidious as inexcusable. (Time Out Film)

HESHER
Loud music. Pornography. Burning shit to the ground. These are a few of Hesher’s favorite things. And they are what Hesher brings into the lives of TJ and his father, Paul when he takes up residence in their garage uninvited. Grief-stricken by the loss of TJ’s mother in a car accident, Paul can’t muster the strength to evict the strange squatter, and soon the long-haired, tattooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more. (Wrekin Hill Entertainment)

OTHER NEW STUFF THIS WEEK

HEARTBEATS (2010)
PROSTITUTE (1980)
MAMMUTH (2010)
LOST THING, THE (2011)
4.3.2.1 (2011)
CAIRO TIME (2011)
PATTON (1970)
STRANGE WORLD OF GURNEY SLADE, THE (2011)
JOANNA (1968)
PINTER'S PROGRESS & THE HOMECOMING (2010)
WARD, THE (2010)
TAKE ME HOME TONIGHT (2011)
CEREMONY (2010)
SOMETHING UNKNOWN (2009)
BURKE AND HARE (2010)

September, New Titles, 'Valhalla Rising', 'Super', 'Enter The Void'


A brutal, mesmerising film from Dane Nicolas Winding Refn (‘Pusher’, ‘Bronson’), dominated by Mads Mikkelsen as a mute fighter, whose journey from twelfth-century Scotland to a strange New World is an odyssey of self-realisation. Enslaved by a pagan Scottish clan chieftain, the nameless warrior is chained and forced to fight to the death in hand-to-hand bouts staged for amusement and betting. Escaping with the help of a young boy, who names him One-Eye, the warrior learns to use weapons and joins a band of Vikings, but these are Christian converts bound for Jerusalem to reclaim the city for their faith. Their ship, however, is enveloped by a mysterious mist, which finally lifts to reveal an unknown land. Lost, hungry and under attack from the natives, the Viking converts lose their faith and lose their minds, turning on one another – but the enigmatic One-Eye discovers his destiny and embraces his essential self.

There are shades here of Terrence Malick’s elemental feel for landscape, the doomed colonial enterprise of Werner Herzog’s ‘Aguirre, Wrath of God’ and Vincent Ward’s visionary ‘The Navigator: A Medieval Odyssey’, yet Refn makes this hypnotic, dreamlike film entirely his own.

Other New Stuff This Week

SUPER (2011)
VALHALLA RISING (2009)
POTICHE (2010)
DIARY OF A WIMPY KID 2: RODRICK RULES (2011)
ENTER THE VOID (2009)
HOLY WATER (2009)
MIDDLE MEN (2009)
MAD BASTARDS (2011)
MISFITS, THE (2011) SEASON 1 + 2
MAMMUTH (2010)
SOURCE CODE Blu-ray
Criterion CUL-DE-SAC
Criterion SECRET SUNSHINE

August, New Titles, 'Meek's Cutoff', 'Source Code', 'Battle Los Angeles'


Kelly Reichardt's glorious slow-burn western, which had its world premiere at the Venice Film Festival, is finally on DVD.

Two equally cool, contemplative and plot-neutral films – ‘Meek’s Cutoff’ and Sofia Coppola’s ‘Somewhere’ – competed for the Golden Lion. One was universally lauded and touted as the surefire winner. The other was dismissed as shallow, self-regarding and meaningless. And the wrong film won.

The sheer gulf of quality and intention between these two superficially similar films couldn’t be wider. The ‘cinema of nothing’ that both Reichardt and Coppola practice may be currently in vogue, but their approaches to it differ wildly: where Coppola uses the camera to reflect her own celebrity-centric interests, Reichardt’s gaze is firmly fixed on the outside world, and particularly on those poor souls who have lost their place within it.

‘Meek’s Cutoff’ is a western, but it’s like no horse opera you’ve ever seen. Michelle Williams plays Emily, one of a small band of settlers wagon-training west, keeping their eyes peeled for Indian raiders. But with supplies dwindling and tough-talking guide Meek (Bruce Greenwood) looking increasingly out of his depth, the group reluctantly turn to a captured Cayuse warrior (Rod Rondeaux) for guidance.

OTHER NEW STUFF THIS WEEK

PAUL (2011) BLU-RAY
PAUL (2011)
SUCKER PUNCH (2011) BLU-RAY
SUCKER PUNCH (2011)
SOURCE CODE (2011) BLU-RAY
SOURCE CODE (2011)
SOURCE CODE (2011) BLU-RAY
SOURCE CODE (2011)
UP PERISCOPE! (1959)
YOUR HIGHNESS (2011)
BATTLE: LOS ANGELES (2011) BLU-RAY
MEEK'S CUTOFF (2011)
LOU (2011)
PLEASURE GIRLS, THE (1965)
PLEASURE GIRLS, THE
BATTLE: LOS ANGELES (2011)
REEF, THE (2010)
HEDGEHOG, THE (2009)
SCARFACE (1983) BLU-RAY
A CAT IN PARIS (2010)
EXTRAORDINARY ADVENTURES OF ADELE BLAC-SEC (2010)
HOUSEMAID, THE (2010)
TOMBSTONE (1993)
AMADEUS (1984) BLU-RAY
BOURNE IDENTITY, THE (2002) BLU-RAY
BOURNE SUPREMACY, THE (2004)
BOURNE ULTIMATUM. THE (2007)
ALIEN (1979) BLU-RAY
ALIENS (1986) BLU-RAY
ALIEN 3 (1992) BLU-RAY
ALIEN RESURRECTION (1997) BLU-RAY
MAKING THE ALIEN ANTHOLOGY (2010)
MUSIC ROOM, THE (1958) CRITERION

New Stuff, August, 'Submarine', 'Paul', 'Fast Furious 5'


This is a spirited and warm film debut from TV comic Richard Ayoade, best known as an actor on ‘The IT Crowd’ and a little less as a one-time writer and director of ‘Garth Marenghi’s Darkplace’ for Channel 4 – as well as a maker of music videos for the likes of the Arctic Monkeys. Ayoade’s background is in telly, but his film is proudly cinematic – so much so that its big-screen influences are almost its defining characteristics.

Adapted from Joe Dunthorne’s 2008 novel, ‘Submarine’ is a retro coming-of-age tale about a teenage boy shell-shocked by everyday life in 1980s Wales. This is the story of Oliver Tate, a schoolboy whose life is a movie in his head, which explains why his parents, played brilliantly by Noah Taylor and Sally Hawkins, are such impenetrable but telling caricatures, weighed down by the hang-ups and deficiencies Oliver affords them.


IRONCLAD (2010)
MADEMOISELLE CHAMBON
BARNEY'S VERSION
COEUR FIDELE (1923) BLU-RAY
COEUR FIDELE (1923)
ROBINSON IN RUINS (2010) BLU-RAY
ROBINSON IN RUINS (2010)
A DAY IN THE LIFE (1953-1964) BLU-RAY
A DAY IN THE LIFE (1953-1964)
REQUIEM FOR A VILLAGE (1975) BLU-RAY
HOBO WITH A SHOTGUN (2011)
THEY MET IN THE DARK (1943)
SMALL TIME (1996)
BEDWAYS (2010)
LOVE LIKE POISON (2010)
SUSPICIONS OF MR WHICHER, THE (2011)
WARD NO. 6 (2009)
CAUSE CELEBRE (1987)
BETTY'S BATH (1928)
NAKED KISS (1964) CRITERION
BLACK MOON (1975) CRITERION
ZAZIE DANS LE METRO (1960) CRITERION
RED SHOES, THE (1948) CRITERION
CHAINS (1949) CRITERION
TORMENTO (1950) CRITERION
NOBODY'S CHILDREN (1952) CRITERION
WHITE ANGEL, THE (1955) CRITERION
DIABOLIQUE (1955) CRITERION
PEOPLE ON SUNDAY (1930) CRITERION
PATHS OF GLORY (1957) CRITERION
FAST AND FURIOUS 5 (2011) BLU-RAY
FAST AND FURIOUS 5 (2011)
ARTHUR (2011)
BRIGHTON ROCK (2010)
IT'S KIND OF A FUNNY STORY (2010)
EASTBOUND AND DOWN (2010) SEASON 2
TROUBADORS (2011)
SONS OF ANARCHY (2008) SEASON 1
GRAN TORINO (2008) BLU-RAY
KREMLIN LETTER, THE (1970)
GREAT WHITE SILENCE, THE (1924) BLU-RAY
GREAT WHITE SILENCE, THE (1924)
CARMEN (1984)
LATE AUTUMN & A MOTHER SHOULD BE LOVED (1960) BLU
LATE AUTUMN & A MOTHER SHOULD BE LOVED (1960)
REQUIEM FOR A VILLAGE (1975) BLU-RAY
STRAVINSKY (1982)
LE BOSSU (1959)

New Titles, July, 'Norwegian Wood', 'My Dog Tulip', 'The Trip'


Vietnamese director Tran Anh Hung has a distinct curiosity about the significance of music, both in everyday life and in cinema. A recurring scene from his gorgeous 2000 film ‘At the Height of Summer’ saw a young couple waking each morning to the strains of the Velvet Underground’s ‘Pale Blue Eyes’ and engaging in a ritualised early-morning ballet of stretches and ablutions. At a pivotal moment in his wistful and agonisingly poignant new work – a thoughtfully abridged adaptation of Haruki Murakami’s lilting 1987 chronicle of late-teen neurosis in 1960s Tokyo – a young woman, Naoko, who’s still traumatised by the suicide of a schoolyard sweetheart, breaks down when a friend casually strums through a rendition of The Beatles’ torch song ‘Norwegian Wood’. The idea that something as ephemeral as a pop song could release a storm cloud of sorrows encapsulates the objectives of this film. It asks: how can we ever really be sure of love without understanding the hidden impulses of others? And what’s the point of love if death’s cruel hand can swipe at any moment?

My Dog Tulip

This gently episodic film by Paul and Sandra Fierlinger manages to say more about man’s relationship with dogs in a single, lush frame than ‘Marley and Me’ would if it were to run on a loop until the end of time.

It’s attentively adapted from a memoir by the late British wit JR Ackerley, which offers – in infinitesimal detail – the mucus-slathered trials of life with his fusty Alsatian bitch, Tulip, in 1950s Putney. Ackerley’s bone-dry prose is the epitome of self-flagellating, post-war Englishness, recalling at once the instructional irony of George Orwell’s essays and the arch, self-effacing out-loud-thoughts of Alan Bennett.

Other New Stuff

Limitless
Way Back, The
Made In Romania
The Trip
Archipelago
L'Amour Fou
Company Men
Macbeth (2010)