The Social Network
Director David Fincher (‘Fight Club’, ‘Zodiac’) and writer Aaron Sorkin (‘The West Wing’, ‘A Few Good Men’) have made a mischievous, scaremongering tale about the origins of Facebook that combines the talky rigour of Sorkin’s writing with the spooky crispness of Fincher’s imagery.
It launches us headfirst into an intense exchange between two students, Mark Zuckerberg and his girlfriend Erica (Rooney Mara), sitting in a Harvard bar, opposite each other, nursing beers. You can hardly call it a conversation. She speaks smartly and normally; he avoids eye- contact, talks through her, responds selectively and, when the chat doesn’t go his way, needily asks: ‘Is this real?’
It’s a brilliant scene: on its own because it says so much about the filmmakers’ spin on Facebook founder Zuckerberg and the limits of interaction that his invention seeks to plaster over, and in the context of the work as a whole because it tells us straightaway that this is a film about a creeping void between people, whether or not they’re lovers, enemies, business partners or Facebook friends. It’s a savvy prologue to a story of how a perfect storm of social inadequacy, Ivy League exclusivity and computing genius inspired a global phenomenon.
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